Gender represantations and reitification of women in sertanejo universitário music

Authors

Keywords:

Socio-historical Psychology, Marxism, Gender representation, Sertaneja music

Abstract

From a socio-historical framework, we are interested in scrutinizing the meanings constructed by a Brazilian music style: sertanejo universitário in relation to sexual genders. For this study, we selected three songs, using as a criterion the largest audience from 2012 to 2014 according to the Brazilian copyright collection agency (ECAD). A Qualitative Epistemological method was used. As a result, we identified that the devaluation of women has its roots in the sexual division of labors, in addition the constructed meaning cores were: reificated relations, pleasure and affection.

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Author Biographies

  • Karla de Oliveira Kian, State University of Maringá

    Iniciação Científica - Universidade Estadual de Maringá.

  • Alvaro Marcel Palomo Alves, State University of Maringá

    Doutorado em Psicologia e Sociedade - linha de pesquisa Infância e Realidade Brasileira - Universidade Estadual Paulista Julio de Mesquita Filho(UNESP), campus de Assis. Professor Adjunto na Universidade Estadual de Maringá.

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Published

2016-02-02

Issue

Vol. 2 No. 3 (2016)

Section

Artigos

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

KIAN, K. DE O.; ALVES, A. M. P. Gender represantations and reitification of women in sertanejo universitário music. Revista Hipótese, v. 2, n. 3, p. 159–184, 2 Feb.2016.

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